gareth bouch :: stuff & things

I went to see Avatar yesterday – basically seen posters around and the odd trailer online and thought it best to catch it in 3D on a big screen – and thoroughly enjoyed it.

If there were any misgivings they’d be about the lack of subtlety in the environmentalist and political / foreign policy / war on terror messages in the film; although it’s worth noting that given the mess we’re all in with the planet in general and also fucking people over for the resources they happen to live on top of, the time for subtlety might be gone anyway.

It was nice however that the film didn’t go totally overboard on 3D by insisting on pointing everything at you; a couple of guns and bows and arrows was enough. As with films like Jurassic Park, some of the most impressive visuals were not about action but about detail. Jurassic Park had a lovely longshot of herds of dinosaurs grazing on an open plain, which at the time looked breathtaking, Avatar has tremendous shots of slightly defocussed insects floating in and out of shafts of light, or brief glimpses up through fern leafs into the forest canopy and the sunlight. Every bit as amazing as the full-on action.

Perhaps the most surprising thing for me, though, was how familiar the aesthetics were. Despite the contemporary politics and the bang up to date 3D delivery, the film actually took me back years and years. To the album covers of prog-rockers Yes, and the visionary artwork of Roger Dean (who also did their classic logo design).

It wasn’t only in the most obvious things like the floating mountains – a theme that Dean visited and experimented with on a number of occasions – but also things like the luminosity of Pandora’s forest landscape at night, the multicoloured dragons, and the arcs of stone surrounding the sacred tree (see the image attached for examples of Roger Dean’s originals; click for a larger view).
It could be said of course that Cameron has visited the territory of stuff like weird luminescence before in The Abyss – but there was a particular overall aesthetic approach to the whole ecosystem that had very very strong echoes of Dean’s artworks and worlds.

I have no idea if he was in any way a conscious influence or not, but it’s nice to be nodded into memories of another time and of such inspired pop art.
EDIT: Just found this website which tends to ask the same question, but is also worth a visit purely as a great selection of images of Roger Dean’s work.

And it’s not just James Cameron… Did anyone else think that the Ood’s homeworld in the Christmas episode of Doctor Who looked strikingly like the cover of “Relayer”?

Get yourself over to Worth1000.com to take a look at their challenge to get people to drop Star Wars characters into famous works of art. Some aren’t too great, to put it mildly – but some are truly excellent.

This is a short film called “Light Rain” by a lovely and rather talented friend of mine, Neil Horner – entered in the Virgin Media Shorts competition.
Please do go vote if you like it…

I’m indebted to British-Canadian singer/songwriter Luke Jackson for dropping me a line about his new video “Goodbye London” which features not only a cracking song about the place where I live, but also a top piece of animation, mixing time lapse and stop-motion of London scenes with drawn characters and graffiti. The result is a belter of a video; charming but unsentimental, and completely evocative of the city.
Do pass it on, and if you want to find out more about Luke and his work, including “Goodbye London” and his new album “…And Then Some” you can do so here…

You can buy “…And Then Some” on iTunes by clicking here…

Post-its… one of the greatest inventions of the 20th century. Stop-motion… sublime in the right hands (Ray Harryhausen, Vision-On, Sledgehammer, Creature Comforts…)
Put them together – in the form of a senior Art & Design School project by Bang-​yao Liu and you have “Deadline”, a wonderfully playful and imaginative take on procrastination and pressure.
Triffick :-)